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Saint Thomas Aquinas

Carlo Crivelli1476

The National Gallery, London

The National Gallery, London
London, United Kingdom

This half-length figure of a saint comes from the upper tier of a polyptych (multi-panelled altarpiece) which Crivelli painted in 1476 for the high altar of the church of San Domenico, in Ascoli Piceno in the Italian Marche. He is the theologian and Dominican friar Saint Thomas Aquinas (d. 1274). His strong features and the vigorous set of his jaw express his intellectual authority, as does the book he clasps in his left hand, his fingers holding open its fluttering pages.

Crivelli has painted the book half open, with fore-edge towards so us that we see the crinkled edges of the parchment pages; he has made it look like a three-dimensional object, although we know it is not. Crivelli’s skill as a painter of drapery is such that even though Thomas’s robes are black, we can see the deep folds of the hood around his shoulders. The severity of his black and white robes – the uniform of the Dominican Order – contrasts with the opulent gilding of the background.

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  • Title: Saint Thomas Aquinas
  • Creator: Carlo Crivelli
  • Date Created: 1476
  • Physical Dimensions: 60.5 x 39.5 cm
  • Medium: Tempera on poplar
  • School: Italian
  • More Info: Explore the National Gallery’s paintings online
  • Artist Dates: about 1430/5 - about 1494
  • Artist Biography: Crivelli was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery. He was very successful as a maker of altarpieces in the Marches. These are especially well represented in the Collection. Crivelli was influenced by the Vivarini at an early stage. From Squarcione, or one of his pupils such as Giorgio Schiavone, Crivelli could learn simulated marble architecture; festoons of fruit; parchment cartellini and music-making putti. Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile. Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist. His work was particularly appreciated in the 19th century, as witnessed by the price paid for the Gallery's 'Madonna della Rondine'.
  • Acquisition Credit: Bought, 1868
The National Gallery, London

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