Mrs Lenin and the Nightingale

Georg Baselitz is one of the most prominent European artists of the post–World War II era, whose work continues to serve as a significant reference point for recent generations. His suite of sixteen large-format paintings Mrs. Lenin and the Nightingale (2008) is based on the repetition of the same compositional structure: two upside-down male figures sitting next to each other, their penises exposed and their hands resting solemnly on their thighs. The compositional motif originates from Otto Dix’s renowned portrait The Artist’s Parents II (Die Eltern des Künstlers II, 1924) but here Baselitz replaced the figures in the original composition with two dictators, Vladimir Lenin and Joseph Stalin. The former is portrayed as “Mrs. Lenin,” wearing a skirt and high-heeled shoes (a reference to his love of disguise), while the latter, known for his singing voice and interest in poetry, is "the nightingale." Each of the sixteen paintings bears an individual title comprising a pun or an enigmatic phrase inspired for the most part by reflections upon, or encounters with, the work of modern and contemporary artists.

Piet’s apparatus have become useless, too many tears have cauterised the mechanism (Piets Apparate sind unbrauchbar geworden, zu viele Tränen haben die Mechanik verätzt)