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Ahalya Shaap Vimochan or the Release of Ahalya

Raja Ravi Varma

The Ganesh Shivaswamy Foundation

The Ganesh Shivaswamy Foundation
Bengaluru, India

The tale of Ahalya is primarily found in the Bala-kandam of the Ramayana by Valmiki. Ahalya was a princess from the Puru Dynasty and was the wife of a great saint Gautama. Ahalya's phenomenal beauty was besotted by Indira who was intent on seeking her companionship. Indra disguised himself as Gautama and Ahalya allowed Indra into her home. Gautama returned from his prayer to discover the misdeed. In addition to cursing Indra, he cursed Ahalya to turn to stone. The curse was to be absolved only when Sri Rama entered the precincts of the ashram. The curse of Ahalya is finally absolved when Sri Rama visits the ashram of Gautama before he reaches Mithila for the swayamvar of Sita accompanied by the great sage Vishwamitra and his brother Lakshmana. In this painting by Raja Ravi Varma Ahalya is being absolved of the curse under the blessing of Sri Rama who is accompanied by sage Vishwamitra and Lakshmana. This painting would have been an exemplar for the printing of chromolithographs at the Ravi Varma Press.

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  • Title: Ahalya Shaap Vimochan or the Release of Ahalya
  • Creator: Raja Ravi Varma
  • Location: India
  • Physical Dimensions: 50 x 39 cms
  • Type: Painting
  • Original Source: Apparao Foundation, Chennai.
  • Rights: Curatorial Rights: The Ganesh Shivaswamy Foundation, Bengaluru.
  • Medium: Oil on Canvas
  • Creator's Lifetime: 1848-04-29/1906-10-02
  • Creator's Biography: Raja Ravi Varma (1848-1906) was a prolific Indian artist who is recognized for his resorting to the academic realistic style of painting. His portraits of English and Indian royalty and aristocracy were well received. His paintings on Hindu religious and mythological subjects and paintings from classical and literary sources were highly sought after even during his lifetime. He painted several copies of his works and this demand led to the suggestion to have his paintings printed in the form of oleographs. The Ravi Varma Fine Art Lithographic Press was established in Bombay (now Mumbai) and commenced operations in 1894. Many of Ravi Varma's paintings were printed as chromolithographs at this Press. These chromolithographs would have a tremendous impact on religion, society and aesthetics. They went on to democratize art leading to immortalize Ravi Varma in the minds of the people of the Indian subcontinent.
The Ganesh Shivaswamy Foundation

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