Loading

The Flagellation of Christ

Francesco Bacchiaccac. 1512/1515

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

  • Title: The Flagellation of Christ
  • Creator: Bacchiacca
  • Date Created: c. 1512/1515
  • Physical Dimensions: overall: 55.9 x 48.1 cm (22 x 18 15/16 in.) framed: 75.6 x 68 x 6.4 cm (29 3/4 x 26 3/4 x 2 1/2 in.)
  • Provenance: Anonymous collection, Milan. George Morland [1763-1804], London.[1] A. Hope, London.[2] Sir John Rushout, 6th bt and 2nd baron Northwick [1770-1859], Northwick Park, near Moreton-in-the-Marsh, originally Worcestershire, now Gloucestershire, and Thirlestane House, near Cheltenham, Gloucestershire, by 1839;[3] (his estate sale, Phillips at Thirlestane House, 26 July-30 August 1859, no. 62, as by Raphael); John Watkins Brett [1805-1863], London; (his estate sale, Christie, Manson & Woods, London, 5-14 and 18 April 1864, 5th day [April 9] no. 827, as by Raphael); purchased by Morland. Sir John Charles Robinson [1824-1913], London;[4] sold 1868 to Sir Francis Cook, 1st Bt. [1817-1901], Doughty House, Richmond, Surrey;[5] by inheritance to his son, Sir Frederick Lucas Cook, 2nd Bt. [1844-1920], Doughty House; by inheritance to his son, Sir Herbert Frederick Cook, 3rd Bt. [1868-1939], Doughty House; by inheritance to his son, Sir Francis Ferdinand Maurice Cook, 4th Bt. [1907-1978], Doughty House, and Cothay Manor, Somerset; sold July 1947 to (Gualtiero Volterra, London) for (Count Alessandro Contini Bonacossi, Florence and Rome);[6] sold July 1948 to the Samuel H. Kress Foundation, New York;[7] gift 1952 to NGA. [1] According to Tancred Borenius, citing Sir John Charles Robinson, (_Memoranda on Fifty Paintings_, London, 1868: 6, no. 7), in _A Catalogue of the Paintings at Doughty House Richmond & elsewhere in the Collection of Sir Frederick Cook Bt, Visconde de Monserrate. Volume 1, Italian Schools_, ed. by Herbert Cook, 3 vols., London, 1913-1915: 1(1913): no. 54. [2] According to the 1859 Northwick sale catalogue. "A. Hope" was probably either Adrian Elias Hope [1772-1834] or his nephew, Adrian John Hope [1811-1863], the son of the elder Adrian's older brother, Thomas Hope. [3] The 2nd baron Northwick lent the painting to the British Institution in 1839. [4] Included in Robinson's _Memoranda..._, (see note 1) as by Lo Spagna. Robinson sold most of the paintings in this catalogue to Cook in early 1868. [5] Included in Borenius' catalogue of the Italian paintings in the Cook collection (see note 1), as School of Perugino. [6] See copy of correspondence in NGA curatorial files, from the Cook Collection Archive in care of John Somerville, England. Volterra was Contini Bonacossi's agent in London. [7] The Kress Foundation made an offer to Contini Bonacossi on 7 June 1948 for a group of twenty-eight paintings, including NGA 1952.5.81, identified at the time as by Perugino. The offer was accepted on 11 July 1948 (see copies of correspondence in NGA curatorial files, see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2177).
  • Rights: CC0
  • Medium: oil on panel
National Gallery of Art, Washington DC

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites