In this tapestry, Kara Walker reproduces an etching from an 1863 issue of the newspaper Harper’s Weekly that documents the burning of a “colored orphan asylum.” Infuriated by newly imposed draft requirements during the Civil War, a mob of New Yorkers took to the streets, attacking both black and white innocents. To drive home the emotional reality of this atrocity, Walker superimposed the silhouette of a hanged black woman over this scene, a shocking image that grabs our attention.

Walker’s silhouette of the hanged woman is an example of her ongoing interest in the traditional medium of cut-paper silhouettes. Before the widespread popularity of photography in early nineteenth-century America, paper cutouts of profiles served as a popular medium for portraiture. For the artist, this collision of popular prints and cutouts with the more elite tradition of woven tapestries creates tension: “I liked the irony of transferring this lowly craft into a medium once used for kings and princes,” Walker said.


  • Title: A Warm Summer Evening in 1863
  • Creator: Kara Walker
  • Date Created: 2008
  • Physical Dimensions: 69 x 98 in. (175.3 x 248.9 cm)
  • Provenance: commissioned by Banners of Persuasion, London, England; to (James Cohan Gallery, New York, NY); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2010
  • Rights: Crystal Bridges Museum of American Art, Bentonville, Arkansas.
  • External Link: Crystal Bridges Museum of American Art
  • Medium: Wool tapestry and felt

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