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Saint Dominic

Carlo Crivelli1476

The National Gallery, London

The National Gallery, London
London, United Kingdom

This saintly friar comes from a large polyptych (a many-panelled altarpiece) which Crivelli painted in 1476 for the high altar of church of San Domenico at Ascoli Piceno in the Italian Marche. This is Saint Dominic himself, holding a white lily to symbolise his chastity and the book of his Rule – the code of practice for the religious order he founded.

The severity of his black and white robes – the uniform of Dominican Order – contrasts with the damask tooling of the burnished gold background. His face is a rare demonstration of Crivelli’s abilities as a portraitist. This is a highly individual face, with its long nose, deep-set eyes ringed with creases and wrinkles, and the line of an old scar running down his cheek. The figure is here in a double role: it is Saint Dominic and a portrait of the Blessed Constanzo di Meo di Servolo, the leading Dominican in the Marche and the commissioner of this altarpiece.

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  • Title: Saint Dominic
  • Creator: Carlo Crivelli
  • Date Created: 1476
  • Physical Dimensions: 137.5 x 40 cm
  • Medium: Tempera on poplar
  • School: Italian
  • More Info: Explore the National Gallery’s paintings online
  • Artist Dates: about 1430/5 - about 1494
  • Artist Biography: Crivelli was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery. He was very successful as a maker of altarpieces in the Marches. These are especially well represented in the Collection. Crivelli was influenced by the Vivarini at an early stage. From Squarcione, or one of his pupils such as Giorgio Schiavone, Crivelli could learn simulated marble architecture; festoons of fruit; parchment cartellini and music-making putti. Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile. Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist. His work was particularly appreciated in the 19th century, as witnessed by the price paid for the Gallery's 'Madonna della Rondine'.
  • Acquisition Credit: Bought, 1868
The National Gallery, London

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