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As Day Breaks Over Us We Rise Into Our Vacuum

Gilbert & George1971

MAXXI National Museum of XXI Century Arts

MAXXI National Museum of XXI Century Arts
Rome, Italy

The work is part of the cycle "The General Jungle or Carrying on Sculpting" (1971) in which Gilbert & George act as “living sculptures”, using their bodies as material and fusing art with the everyday in large-scale black and white images. The series of charcoal works was created on the basis of slides portraying the artists as they walk through a London park during a performance. Charcoal and slides recall Romantic English landscape painting and the poetic of the picturesque, which exalts the aesthetic qualities of the irregularity and spontaneous disorder of nature. The drawings are, therefore, a kind of transposition of the performance. The titles, in a sense captions to the images, are sarcastic comments on the function and the role of the artist in contemporary society.

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  • Title: As Day Breaks Over Us We Rise Into Our Vacuum
  • Creator: Gilbert & George
  • Creator Lifespan: Birth Date - Gilbert Prousch: 1943; Birth date - George Passmore: 1942
  • Creator Nationality: Gilbert Prousch: Italian; George Passmore: English
  • Creator Gender: Male
  • Date: 1971
  • Physical Dimensions: w315 x h280 cm
  • Type: charcoal on paper mounted on canvas
  • External Link: http://maxxisearch.fondazionemaxxi.it/maxxi/opereArte/opereSchedaOpera/inv/13415
  • Description (Italian): L’opera è parte del ciclo "The General Jungle or Carrying on Sculpting" (1971), in cui Gilbert&George si propongono come “sculture viventi”, usando il proprio corpo come materia e fondendo l’arte con la quotidianità, all’interno di grandi immagini in bianco e nero. La serie di carboncini è stata realizzata a partire da diapositive che ritraggono gli artisti a passeggio in un parco londinese, durante una performance. Carboncini e diapositive rievocano la pittura paesaggistica romantica inglese e la poetica del pittoresco, che esalta le qualità estetiche dell’irregolarità e del disordine spontaneo della natura. I disegni, quindi, sono una sorta di trasposizione della performance. I titoli, quasi didascalie delle immagini, sono commenti sarcastici sulla funzione e il ruolo dell’artista nella società contemporanea.
MAXXI National Museum of XXI Century Arts

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