Athanor XXVIII (2010)
Benjamin Eldredge
Narrative, Figure, and Landscape in Poussin's Roads: Landscape with a Man Washing His Feet at a Fountain and Landscape with a Roman Road.
Maureen Warren
William Hogarth's Four Stages of Cruelty and Moral Blindness
Sarah Buck
Unfolding Piranesi's Aqueduct: The Aqueduct Map from Le Antichità Romane, Volume I (1756)
Segundo J. Fernandez
Kauffman and Reynolds: Infant Academy Unmasked
Carmen McCann
More Than Just an Allegory: Life and Death in Eugène Delacroix's Greece on the Ruins of Missolonghi
Beth Fadeley
Hiram Powers's Greek Slave and the Cultural Construction of Race
Laura Turner Igoe
All Things Perish: Joseph Biays Ord and the Plight of Antebellum American Still-Life Painting
Maria d'Anniballe
Recreating the Past: The Controversies Surrounding the Refashioning of the Medieval Castle of Castelvecchio in Verona under the Fascist Regime
Cristina Albu
Between Expanded Consciousness and Expanded Bodies: Spectatorial Engagement with Invisible Architecture
Corey Dzenko
Everyman's Actions: The White Male Body in Performance Photographs
Nicole L. Mahan
Krzysztof Wodiczko's "If You See Something…" – Counter-memory in the Post 9/11 Movement
Kori Lisa Yee Litt
Meaningless Language with Meaningful Words: Buddhism and the Art of Xu Bing
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