This issue of Cahiers du Cinéma delves into the complexities of contemporary cinema, with a particular focus on the films presented at the Cannes Film Festival. It includes an in-depth interview with Quentin Tarantino discussing his film "Inglourious Basterds", alongside an analysis of how Tarantino, Coppola, and Bellocchio use fiction to engage with history. There's a special section dedicated to the return of several filmmakers and a focus on personal cinema through the lens of the Cannes festival. The magazine also features a critical analysis of Lars von Trier's "Antichrist," examining its controversial nature and its position within his larger body of work. Additionally, it explores the theme of "intimacy" at Cannes, highlighting films like "L'Épine dans le cœur" and "Le Père de mes enfants" that delve into personal narratives. This issue also includes the second part of its "Atlas du Cinéma" series covering diverse regions and emerging voices in global cinema and a review section about recently released films.
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