The work takes part of the Constelaciones project, which questions how art histories are built -how we build, reproduce, and problematize them-. I work copying images that I previously register, trying to be as faithful as possible (and impossible) to the historical document. That is how I think of drawing as a mean to configure (and unconfigure) stories which slow timeliness differs from the time of the images. This selection shows five art experiences that involve different artists: performances, readings, dialogues, and encounters: Actions where I was present, that lasted a limited time, and I chose to draw/register. In this project, I attempt to leave the traces of an itinerary, a map that creates links and makes affections transparent. I am interested in thinking about how the contextual character that has a group can be modified and expand in its interpretation towards other possible developments.
Interested in Natural history?
Get updates with your personalized Culture Weekly
You are all set!
Your first Culture Weekly will arrive this week.