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DMZ Peace Bell

Kyuchul Ahn2019/2019

REAL DMZ PROJECT

REAL DMZ PROJECT
Seoul, South Korea

The wall has always been experienced only as what lies before us. Our imaginations always halted before it. We could not see the rear side of the wall, nor imagine the space beyond it, between the two walls. To cross a wall, we must be able to see it from above, and to break the wall we must know what it is made of. The remains of a barbed wire fence that was demolished from the DMZ were melted to form a bell, and what was previously a watchtower becomes a bell tower. From the peak, where the bunkers used to be, the sound of the bell would spread far beyond the border of the North and South. The barbed wire that once separated a people now makes a sound that brings them together. A space of tension and hostility towards the enemy becomes the point of origin for a message of peace and recovery.” —Notes from the artist

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  • Title: DMZ Peace Bell
  • Creator: Kyuchul Ahn, Kyuchul Ahn
  • Date Created: 2019/2019
  • Physical Dimensions: 2.4×2.4×7.5 m
  • Type: sculpture
  • Medium: Metal, wood
  • 작가 정보: Kyuchul Ahn (b. 1955, Seoul) studied sculpture at Seoul National University’s College of Fine Arts. After two years of military service, he worked for seven years as a journalist for an art magazine. In the 1980s, he presented miniature sculptures and participated in “Reality and Utterance,” an artist group that led a critical art movement. In 1987 he went to Paris to study art, and moved to Germany the next year, where he studied at Staatliche Akademie der Bildende Künste Stuttgart until 1995. He held his first solo exhibition at a gallery in 1992 and took his first step as an artist. In the years following his return to Korea in 1995, he held ten solo exhibitions, including Trivialities (Art Sonje Museum), Forty-nine Rooms (Rodin Gallery, 2004), Drawn to the Rainbow (Gallery Skape, 2013), All and but Nothing (Hite Collection 2014), Invisible Land of Love (MMCA 2015), Words Just for You (Kukje Gallery, 2017), and contributed to numerous other exhibitions and biennales both in Korea and overseas. His work, which ranges across various media such as objects, installations, text, and performance video, to reveal the side of life hidden in everyday objects and spaces, has a close connection with his writings as a journalist. He has published essays on art and objects, including Museum Without Paintings, The Man’s Suitcase, and Nine Goldfish and Water in the Distance. Since 1997, he has been a professor at the Korea National University of Arts.
REAL DMZ PROJECT

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