In "Do this while I wait," Lydia Rosenberg presents a series of sculptures initially described in her ongoing project of writing a novel-as-sculpture. The project concentrates on the character of Annette, an artist who spends as much time making objects as she does listening to guided meditations, that in turn creates a narrative in which domestic cleaning objects are the key to decluttering her mental landscape.
At the Mattress Factory, Rosenberg exhibits the objects that fictional Annette has been making. The objects are hybrids, much like Annette: shredded books or cast crow’s feet become broom bristles, a lamp becomes formless, a pillowcase becomes a bucket, and ceramic spaghetti turns into a mop. These transmutations get at the heart of how we tend to care for objects rather than ourselves or other humans and how this is further complicated when the imaginary becomes material and vice versa.
You are all set!
Your first Culture Weekly will arrive this week.