Loading

Doge Alvise Mocenigo and Family before the Madonna and Child

Tintorettoc. 1575

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

The kneeling figure of Doge Alvise Mocenigo is identifiable by comparison to his official portraits. Alvise was the fourth member of the Mocenigo family to become doge (the elected chief of state) of Venice. Opposite him is his wife, Loredana. The standing older man to the left is the doge’s brother Giovanni. The two young men at far right are Giovanni’s sons Tommaso and Alvise.


Jacopo Tintoretto and his studio painted several other works commissioned by the Mocenigo family. In this large painting, the portraits are strong and expressive; the forms of the family members have a sense of weight and presence and include areas of virtuoso brushwork, such as the representation of the ermine sleeves of the two older men.


The picture is a variant of the official votive paintings that decorated the Palazzo Ducale and other government buildings in Venice. They are part of a long tradition of Venetian paintings that show the patrons venerating the Virgin and Child or being presented to them by a patron saint.

Show lessRead more
  • Title: Doge Alvise Mocenigo and Family before the Madonna and Child
  • Creator: Jacopo Tintoretto
  • Date Created: c. 1575
  • Physical Dimensions: overall: 216 × 416 cm (85 1/16 × 163 3/4 in.) framed: 252.8 × 452.2 × 12.7 cm (99 1/2 × 178 × 5 in.) framed weight: 154.223 kg (340 lb.); unframed weight: 143 lb
  • Provenance: Probably originally at the Palazzo Mocenigo at San Samuele, Venice. Alvise I Mocenigo, called "Toma" [b. 1608], Palazzo Mocenigo at San Samuele, Venice, by 1648.[1] Possibly acquired in Italy in the early 19th century by a member of the Gouvello family, France; by inheritance to Pierre-Armand-Jean-Vincent-Hippolyte, marquis de Gouvello de Keriaval [1782-1870], Château de Kerlévénan, Sarzeau (department Morbihan in Britanny), France; by inheritance in his family; sold 1952 through (Landry and de Somylo) to (M. Knoedler and Co., London, New York and Paris) on joint account with (Pinakos, Inc. [Rudolf Heinemann], New York); sold 1953 to the Samuel H. Kress Foundation, New York;[2] gift 1961 to NGA. [1] ] Carlo Ridolfi, _Le maraviglie dell’arte, overo Le vite de gl'illustri pittori veneti, e dello stato_, 2 vols., Venice, 1648: 2:44; Carlo Ridolfi, _Le maraviglie dell’arte, overo Le vite de gl'illustri pittori veneti, e dello stato_, edited by Detlev von Hadeln, 2 vols., Berlin, 1914-1924: 2:53. Tracy Cooper's identification of the owner Ridolfi cites as "Toma Mocenigo" is explained in her article "The Trials of David: Triumph and Crisis in the Imagery of Doge Alvise I Mocenigo," _Records of Activities and Research Reports_ 18 (June 1997-1998), Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington: 66-67. [2] For the provenance from the marquis to the sale to the Kress Foundation, see the invoice from M. Knoedler & Co. dated 2 June 1953, and M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Stock book no. 10, p. 83, no. A4949, and Sales book, p. 17. The invoice and copies from the Knoedler Records are in NGA curatorial files. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/669.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Home
Discover
Play
Nearby
Favorites