Dragonfruit

In this body of work, Mar absorbs, and ultimately scatters back to his viewer, the layered and disparate historical references which pollinate his career. He cites the history of art and Indigenous artistic practices; of fashion and the queer club scene of the last forty years; of the Mattress Factory itself; and of his own fifteen year practice. Creating a series of custom textiles with images borrowed from these diverse sources, Mar collages, sews, and paints this material, and ultimately brings together these distinct imageries to derive entirely new contexts from the recombined originals.

Central to Mar’s process are humanoid figures he calls “Paprikas.” These characters feature throughout his work, and they serve the role of mythological devourers who ingest and digest visual references from the many fonts of inspiration which inform Mar’s practice. For Dragonfruit, Mar creates a new generation of Paprikas made predominantly of leather, harnesses, and chains purchased from second-hand stores with close ties to the LGBTQ community, allowing references to the queer club, bondage, and leather scenes to bubble up to the surface of his practice.

Dragonfruit engages in world-building at a massive scale, where Paprikas take in all that surrounds them only to expel it into the world as new matter. Mar collapses time into one continuous moment, threading past and present through his visual references and laying flat the entirety of his career between then and now. The exhibition encapsulates all things that have seeded Mar’s practice, an Encyclopedic Palace of the World, which puts on display the ordered chaos of Dragonfruit’s own creation.