El Ñino del Trompo (Boy with Top)

“Carlos Hermosilla Álvarez and Colin Matthes: Echoing Concerns” (2017) featured the work of two artists working in distant eras, but toward similar goals of drawing attention to societal injustices they witness every day.

Hermosilla was an active artist and humanitarian who overcame enormous personal and physical obstacles to become known as “the father of Chilean realist printmaking.” He established the Printing and Drawing Department at the School of Fine Arts in Vina del Mar, Chile, where he was a Professor of Art for approximately 35 years until his resignation following the military coup in 1973. Together with his wife Marina Pinto, herself a sculptor and printmaker, Hermosilla continued to work as an artist and a writer, often writing poetry to accompany his drawings, woodcuts, etchings, and paintings.

Carlos Hermosilla Álvarez was an effective agent of change in the Chilean art community where he sought to shift the focus of Chilean art from subjects that appealed to elite tastes to a concern for working class people and populations considered to be “outsiders.” His subjects include fishermen, construction workers, mothers, miners, and also the Mapuche Indians, a population of native Chilean people who managed to elude the Spanish conquistadors in the 1500’s. The Mapuche remain distanced from Chilean society, and their culture and ancestral lands are still in peril in the twenty-first century.

The exhibition was curated by Shana McCaw, Senior Curator, and Jenille Junco, Assistant Curator and Collections Manager.

Photography by Ari David Rosenthal.