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Forest Scene

Jacob van Ruisdaelc. 1655

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Jacob van Ruisdael represents the pinnacle of seventeenth-century Dutch landscape painting. This great artist, the son of a painter and the nephew of Salomon van Ruysdael (see NGA 2007.116.1), began his career in Haarlem but moved to Amsterdam in about 1656. His long and productive career yielded a wide variety of landscape scenes that reflect Ruisdael’s vision of the grandeur and powerful forces of nature.


His most characteristic paintings include massive trees that tower above a rocky countryside, in which human figures seem dwarfed by the elements of nature. The scale and solemn dignity of Forest Scene make it one of Ruisdael’s masterpieces. The man and woman walking along a path near some grazing sheep in the middle distance are insignificant in comparison to the broad waterfall, the massive rocks, and the huge fallen birch tree in the foreground. The somber mood is reinforced by ominous clouds and by the dark green of the grass and foliage. Trees with twisted roots survive precariously on rocky outcroppings. The broken trees in the foreground are important not only as compositional devices but also as symbolic reminders of the transience of life and the inevitability of death.

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  • Title: Forest Scene
  • Creator: Jacob van Ruisdael
  • Date Created: c. 1655
  • Physical Dimensions: overall: 105.5 x 123.4 cm (41 9/16 x 48 9/16 in.)
  • Provenance: Probably owned by Francis Nathaniel, 2nd marquess Conyngham [1797-1876], Mount Charles, County Donegal, and Minster Abbey, Kent.[1] Sir Hugh Hume-Campbell, 7th bart. [1812-1894], Marchmont House, Borders, Scotland, by 1857;[2] (his estate sale, Christie, Manson, & Woods, London, 16 June 1894, no. 48); (P. & D. Colnaghi & Co., London); sold 1894 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA. [1] The only source of information concerning the picture's whereabouts prior to 1857 is Hofstede de Groot, whose listing of the painting is extremely confusing (Cornelis Hofstede de Groot, _A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century_, trans. Edward G. Hawke, 8 vols., London, 1907-1927: 4(1912):92, no. 285, possibly also 119, no. 367, 134, no. 418, 203, no. 643c). It seems that any or all of his four entries (nos. 285, 367, 418, and 643c) may contain information that relates to the _Forest Scene_, but these entries also contain additional and contradictory provenance listings, which must refer to at least one other painting. It nonetheless seems likely that before the _Forest Scene_ was acquired by Sir Hugh Hume Campbell, it was indeed owned by a member of the Conyngham family of Ireland, most probably the 2nd marquess, but also possibly his father, Henry, 3rd baron and 1st marquess Conyngham (1766-1832). [2] Gustav Friedrich Waagen, _Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures and Illuminated Mss., 3 vols., London, 1854-1857, supplement: 441-442.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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