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擡頭仰望也是兔在宋後器物中的一個常見姿態。此明代朱文印,其印紐便是兔擡頭造型。擡頭所望者或為月,即亦是兔月關係的一種衍生。漢唐讖緯、升仙信仰不再流行後,文物中兔的造型也變得較爲寫實,少在月中出現,而多作望月姿態。繪畫中仰望的兔也時描繪在秋天枯葉背景中,或有强調中秋拜月的意味。
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