A staunch political activist, Efflatoun was jailed from 1959–1963 and produced many dark paintings from inside her prison cell as well as brighter paintings of the world outside in her trademark pointillist style. this happier, lighter style became her trademark after her release.
For more, see Maher Dawoud's article 'The Memory of a Nation' from Rawi magazine's Issue 8 available online (link in details).
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