Best known for sculptural works combining comedy and high concept, He Xiangyu here takes a solipsistic turn, revealing an inner topography depicted in a highly sensitive painterly language. During a brief stint in the U.S. where language barriers proved difficult to navigate, He Xiangyu began translating into images the ridges, bumps, and grooves of his palate through perceptions felt with his tongue. The act of translation, always aimed at demystifying the subject, here only seems to further complicate it. The phenomenological processes responsible for constructing a sense of interior space intrinsic to vocalization, the curl of the tongue that produces “rat” as opposed to “that”, become a function of He Xiangyu’s body mapping, supplanting the oral, and aural, by reaffirming the centrality of visual representation.
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