Details: The year 2013 was one of the busiest and most productive years of WOOL with the expansion to new geographies, seeking to answer the growing and challenging requests made by companies, cultural associations, municipal or private entities.
The month of August marked the date WOOL debuted at Figueira da Foz, curating and producing all Urban Art actions when it integrated the Fusing Culture Experience festival. This was a unique event in Portugal that brought together in a single space extensive to the entire city Music, Art, Sports and Food. It also marks the debut of Street Art activities in this city, which, in general and from past experience, means long months of preparation, conversations and negotiations with all government and private entities, in order to demystify many of the preconceptions around these artistic expressions, reaffirming and reinforcing the idea that this Art, when everything is well designed and built, is a huge capital gain for the city, at numerous levels, which I will later present.
From all the activities at Figueira da Foz city centre we point out 5 (five) author murals, a stencil workshop, a reflexion of our constant concern in the promotion, understanding and production of this Art. Among all the murals, I must highlight the ones made by the artists ADD FUEL and MÁRIO BELÉM because of their themes always approached in their work: “portugality” and “local tradition”, fundamental in the search for empathy and identification with the local community and thus its safeguard .
Specifically, the piece by Add Fuel was once again a reinterpretation of portuguese tiles made on ceramic
Biography: Diogo Machado excels in creating imaginary worlds, where he combines fictional characters, decorative elements, a distinctive trait, an omnipresent humor and a remarkable sense of symmetry. In the series of tiles that he stencils and/or lays on the walls, he creates the idea of a trompe l'oeil, leading us to believe that these are scenes inspired in a medieval universe; such is the rigor with which he draws. However, when we're closer and see the tiles carefully, we discover a completely contemporary composition of figures and creatures. It's a pop world, strange, were irony is always present.