Form is generated from matter: the polyurethane is
poured into a negative mold made of earth. We then
witness the revelation of Jir, where the dialogue
between the invisible and the visible is staged. Inspired
by the “formless” sculptures of Medardo Rosso,
the work of Alis/Filliol becomes monumental: an
original reinterpretation of equestrian statuary,
which conceals musical echoes in particular (as
suggested by the Archive of Memory).
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