Brittany, the region of northwestern France bound by the English Channel and the Atlantic Ocean, has preserved a culture distinct from that of France and has fostered a simple, artless lifestyle. Gauguin visited Pont-Aven in Brittany in 1886, and lived in that area off and on until 1890. He used the undulating landscapes and artless genre scenes of the region in his pursuit of distinctive individualistic compositions. This work from the first half of his stay in Brittany represents a transitional stage from the Impressionist style to his own more planar forms. While the palette is subdued and the touch resembles that of the Impressionists, each form of the separate objects is expressed in large color blocks edged by outlines, clearly foreshadowing the style that would emerge in the latter half of Gauguin's stay in Brittany. It is thought that this work was created in the fall of 1888 just before he set out on a trip to visit van Gogh in Arles. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.86)
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