In the catalogue of the Stanisław August collection, the painting was originally valued at 12 ducats and in 1795
at 35 ducats; this reflects the relatively low market value of
16th-century Italian paintings among 18th-century collectors. It was
listed as being by Annibale Carracci or his school, which may seem
surprising since the correspondence concerning the acquisition and
transport of the painting mentions a ‘painting on copper’ by Ludovico
It is evident from archival research carried out by Ewa Manikowska
(2007), that Stanisław August acquired the painting in 1781 as a gift
from the Marquess Cesary Giuseppe Zagnoni of Bologna, on the occasion of
the Marquess’ endeavours to be awarded a Polish order (most probably
the Order of the White Eagle). The correspondence on this matter lasted
from December 1780 to 18 March 1781; it mentioned a small religious
painting on copper by Ludovico Carracci its dispatch to Warsaw was
delayed. The painting was not received very warmly (See E. Manikowska, Sztuka – Ceremoniał – Informacja. Studium wokół królewskich kolekcji Stanisława Augusta,
Warszawa 2007, p. 70). Zagnoni received a letter of thanks from the
king’s secretary, Gaetano Ghigiotti, which was more a diplomatic
courtesy than a sincere expression of gratitude. [See D. Juszczak, H.
Małachowicz, The Stanisław August Collection of Paintings at the Royal Łazienki. Catalogue, Royal Łazienki Museum, Warsaw 2016, no. 26, p. 126.]
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