This portrait of Magdalena Douw (1718-1797), painted before her wedding to Harmen Gansevoort in 1740, exemplifies the style of the Hudson Valley Patroon Painters, considered America’s first native painting school. John Heaton employed linear style, bright contrasting colors, and classical architectural surroundings, which conjure the art of Dutch Bibles and medieval religious scenes. At a time of increasing British influence in Albany, Magdalena's upturned red shoes and patterned brocade gown reflect her access to the latest fashions from London, while her cap and choker emphasize her Dutch heritage. The baroque tea table and the inclusion of tropical fruits suggest connections to a vast global trade network.
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