The Borghesi sitting room Male nude

It is a cycle of thirteen panels, all originally painted on plaster and then torn and transported on different supports, first on canvas and then on hardboard. The cycle was painted by Giovan Battista Borghesi in 1812-1814 in his uncle Pietro Borghesi's house in Parma; the paintings were saved when it was decided to demolish the building in 1951, thanks to the interest of the historian Giovanni Copertini, and then bought by a collector. They returned to the antiques market in 1997, where they have been purchased by the Cariparma Foundation at a Finarte auction (Milan, 23 October 1997) and placed in such a way as to reconstruct the original room of the artist's uncle's house. The panels are all of mythological subject but not linked together. The cycle of the Borghesi house can be considered one of the artist's first independent tests and it allows us to know his first style that was strongly linked to neoclassical examples, French and Italian, but above all it was based on local 16th-century models and beyond: the reference is here to Parmigianino, that is clear in the figures of the monochrome nudes with serpentine shapes.

The panel represents a decorative party with an ovate containing a green monochrome male nude, a frame with brown monochrome leaves and two medallions on a golden background with a mask and a putto. In the cycle there are five other panels similar to this one which were intended to space out the figured panels. It's evident a revival of the Mannerist tradition: the sinuous and serpentine monochrome figures recall the 16th-century ones of Parmigianino, Bedoli and Bertoja.