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Mokuria: The Legendary Progenitor of the Abakuria (Kuria community)

Shujaa Stories2020

National Museums of Kenya

National Museums of Kenya
Nairobi, Kenya

According to oral tradition, the father of Abakuria was called Mokuria. He had several sons from different wives. The sons formed the major Abakuria sub-tribes such as Abanyabasi, Abatimbaru, Abanyamongo, Abakira, Abairegi, Abakenye, Abanchaari, and Abagumbe, whose ancestor was Mokuria (or Mukuria) who lived in Misiri. The Abakuria are also divided into two families: the Abasai, borne of the elder wife of Mokuria and the Abachuma, borne of the younger wife.

Mokuria’s descendants migrated from Misiri and after many years of wandering on the other side of Lake Victoria, they eventually reached and settled in the present day Bukuria.

Between 1774 and 1858, the Abakuria people led by Mokuria, were living in Musoma district in present Tanzania. They settled in a hilly area north of the River Mara then known as Korea hill.

Mokuria was a seer, a medicine man and giver of law and customs. One of the unique customs Mukuria bestowed on his people was Nyumba Ntobu. Under this custom, Kuria women were allowed to marry each other, but for a specific reason. It was done for women who could not have children of their own so that they could still have a family. The marriage between two women is a unique Kuria custom called Nyumba Ntobu – “house of women”. This marriage had no romantic ties.

Another custom he bestowed is that an older widow who does not have any male descendants should marry a younger woman who does have or will potentially have a son. That way, the son will inherit the older woman’s land, and ensure that her lineage does not fade away.

The Nyumba Ntobu became more common as the Kuria population grew.

Mokuria authoritatively mandated Kuria people to practice circumcision for both sexes at the age of around 13 years, just when puberty began. After the cut, circumcised boys or girls were led back home by fellow villagers amidst singing and dancing.

Mokuria gave Abakuria rich traditions and historically centered on a ritual cycle that individuals and the community underwent.

As a rite of passage, circumcision became a central institution in the lives of the Abakuria people. It marked the transition from childhood to adulthood, and changed the status of the individual and his or her family. Abakuria knew that after undertaking this rite of passage, marriage was next. Traditionally, marriage between 2 youngsters was arranged by the fathers. After the agreed bridewealth had been paid by the groom’s family, the marriage was arranged within three months.

Mukuria loved music, and that might be why music was also a big part of Abakuria life. The community boasts of musical instruments such as the Zeze, an African violin and the Ritungu, similar to a lyre with eight strings, and was made out of wood and animal skin.

Bonus Information
One of the instruments that the Abakuria love playing is the Zeze. Zeze is a stringed instrument from Sub-Saharan Africa. It is also known by the names tzetze and dzendze, and, in Madagascar, is called lokanga voatavo or lokango voatavo. It is similar to the violin but has one or two strings, made of steel or bicycle brake wire

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  • Title: Mokuria: The Legendary Progenitor of the Abakuria (Kuria community)
  • Creator: Shujaa Stories
  • Date Created: 2020
  • Location: Kenya
  • Rights: Shujaa Stories in collaboration with Nature Kenya and the National Museums of Kenya
  • Research statement: Research was undertaken through on ground field work in Samburu and Marsabit (for Gabbra, Samburu, Rendille, Saakuye, Dasanach, Elmolo, Waayu a.k.a Waata, and Burji superheroes/heroines), Embu and Tharaka (for Aembu, Tharaka, Ameru and Mbeere superheroes/heroines) and Taita-Taveta/Voi (for Taveta superheroes/heroines) capturing all information about the heroes from the 30 selected ethnic groups/communities by Museum’s research team.
  • Community: Kuria
  • About Shujaa Stories: This is a Kenyan superhero display of the country’s pre-independence legends who fought for their communities’ land, freedom and spiritual well-being; and are revered by their communities to date. Conceptualized in 2017, the idea was the brain-child of Masidza Sande Galavu (1993-2020) who was a Creative Director and co-founder at Shujaa Stories and Tatu Creatives in Nairobi. ‘Shujaa’ is a Swahili word that means brave or courageous. It also refers to someone who is a hero. Shujaa Stories made its public debut with an exhibition at the Nairobi National Museum in 2018. It shined light on 28 of Kenya’s greatest heroes and heroines. Each story was coupled with a bonus text on conservation related to the heritage sites surrounding where these legends once lived. In 2020, supported by National Museums of Kenya and Google Arts and Culture, Shujaa Stories Ltd completed over 30 new shujaas that cut across the major and marginalized Kenyan communities. Kenya is rich in history and culture. Some of this richness has been brought out in our books, museums and in theatre. But there is one major section of our history that has been left out, especially to the younger generation of Kenyans, which are our pre-independence legendary heroes. Some of these heroes are known well beyond their communities due to the respect they managed to garner across the region. Many of them have a well-developed and sophisticated folklore which embodies their history, traditions, morals, worldview and wisdom. The design language chosen for the entire exhibition is animated illustrations that seek to bring out the superhero character of each shujaa.
National Museums of Kenya

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