The relationship between the “public” and the “private”, the “cataphatic” and the “apophatic” space is the “No Man’s Land” womb. Its primary concern is the structural perichoresis, correlation, and juxtaposition of distorted yet allusive "iconic" urban landmarks and the author's creations of subjective realities, fragmented and dematerialized micro locations, geographies, and multicultural explorations of form and volume. The sublime interplay of interarchitectural echoes and allusions allures us to diagnose the neuroticisms of our cultures through the architectural cryptograms of the phantasmagoric “open city”created as an eschatological architectural cry/riddle about the possibility of liberté, égalité,fraternitéin toto ...
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