Pale, Shadowed Speckled traces, Fading Elipse, Bronze Specks, Tilted Shelf

Present in over forty public collections around the globe, this Scottish ceramist studied at both the Edinburgh and Royal College of Art. A preference for traditional techniques elaborated by hand, Lee developed her own method of colouring by mixing metallic oxides into clay.
This hand-coiled vessel utilises planetary bands of oxidised pigments – some coloured decades prior to creation – to capture a sense of frozen time within its delicately poised proportions. Using ancient techniques of pinching and coiling, a fleeting sense
of discovery is intertwined into the surface, evident in the bands, haloes, and ellipses that circumnavigate the vessel with varying intensity. Lee wants to remind us of nature’s intractable march of change, yet by preserving this particular concoction of colour and clay in the fires of her kiln, she creates a lasting image of a moment already passed.