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Pleasure

Gilda Mantilla, Raimond Chaves2005

MALI, Museo de Arte de Lima

MALI, Museo de Arte de Lima
Lima, Peru

In May 2005, Gilda Mantilla and Raimond Chaves took a trip by road, river and horseback through parts of Colombia, Ecuador. Venezuela and northern Peru. During the one hundred days of their travels, the artists recorded different perceptions of each place they visited by way of drawings. Emulating the nineteenth-century travelling artists who crossed wide oceans to record the new customs they found along their way, Mantilla and Chaves created the central element of their work out of the singular space where the existing place meets with the one invented along the way. In their travels, during which the artists sought to record what could be understood as “Latin America,” they noticed that the phrase “El Placer” [Pleasure] was often present in the names of streets, districts and villages. They decided to reproduce this phrase as homage to their trip and to evoke the expectation that a place with such a name generates in counterpoint to the real encounter with that locale. The piece –which is outstanding among the many works, mainly drawings, that compose the project Dibujando América– re-creates a form of popular advertisement that the artists use as a support to reproduce various images that reflect the construction of a vast appropriated landscape.

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  • Title: Pleasure
  • Creator Lifespan: Los Angeles, 1967 / Bogotá, 1963
  • Creator Nationality: Peruvian
  • Creator Gender: Feminine / Masculine
  • Creator Birth Place: Los Angeles / Bogotá
  • Date Created: 2005
  • Physical Dimensions: w200 x h320 cm (Complete)
  • Type: Acrylic on MDF
  • Rights: Colección Museo de Arte de Lima. CAAC 2007, con donaciones de Armando Andrade, Jorge Basadre, Muriel Clémens, Laura Fantozzi y Jesús Zamora
  • painter: Gilda Mantilla / Raimond Chaves
  • Título original: El Placer
  • Técnica: Acrílico sobre MDF
  • Texto curatorial: En mayo de 2005, Gilda Mantilla y Raimond Chaves emprendieron un viaje por carretera, río, e incluso a caballo, recorriendo Venezuela, Colombia, Ecuador y el norte de Perú. Durante los cien días de trayecto, registraron en dibujos las diferentes percepciones de cada lugar visitado. Emulando a los artistas viajeros que en el siglo XIX reportaban las novedosas costumbres y existencias encontradas a su paso, Mantilla y Chaves hicieron del espacio singular en el que se encuentran el paraje existente con aquel que se va inventando en el camino, el elemento central de su trabajo. Durante esta travesía, en la que los artistas intentaron registrar lo que se podría comprender como “latinoamericano”, percibieron una denominación frecuente en calles, barrios y pueblos: el placer. Decidiendo reproducirla como un homenaje al viaje y a la expectativa que un paraje con tal denominación puede generar en contraposición al encuentro real con el sitio. La pieza –excepcional dentro del conjunto de obras, principalmente dibujos, que conforman el proyecto Dibujando América– recrea un tipo de publicidad popular que los artistas utilizan como soporte para reproducir diversas imágenes que reflejan la construcción de un vasto paisaje apropiado.
MALI, Museo de Arte de Lima

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