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Project de Sculpture en Argent d'un Grand Surtout de Table et les Deux Terrines...Executée pour Millord Kingston in 1735 (Design for Centerpiece and Two Tureens for the Duke of Kingston in 1735) plate 115 in Œuvre de Juste-Aurèle Meissonnier

Juste-Aurèle Meissonnier1742–1748

Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt, Smithsonian Design Museum
New York, United States

The tureens are the visual elements for the crowning figures of the surtout. The shape of the lid of the tureens is adapted from the form of a sea-shell, upon which the animals and vegetables are placed to harmonize with the oval tureen and its plateau. The plateau is an asymmetric cartouche; vegetables are integrated into the plateau's undulating border of concave and convex forms.

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  • Title: Project de Sculpture en Argent d'un Grand Surtout de Table et les Deux Terrines...Executée pour Millord Kingston in 1735 (Design for Centerpiece and Two Tureens for the Duke of Kingston in 1735) plate 115 in Œuvre de Juste-Aurèle Meissonnier
  • Creator: Juste-Aurèle Meissonnier
  • Creator Lifespan: 1695/1750
  • Date Created: 1742–1748
  • Type: Print
  • Rights: Purchased for the Museum by the Advisory Council
  • Medium: Etching on off-white laid paper
  • Provenance: Jean Léon Decloux (Decloux 173)
  • Paper Support: Off-white laid paper
  • Exhibitions: New York - CHNDM, "Rococo: The Continuing Curve 1730-2008", March 7 - July 6, 2008
  • Dimensions: Platemark: 33.7 x 57.8 cm (13 1/4 x 22 3/4 in.)Open: 18.5 x 86.4 x 61 cm (7 5/16 x 34 x 24 in.)
  • Bibliography: Peter Fuhring, "Juste-Aurèle Meissonnier and His Patrons," in Sarah Coffin et. al, Rococo, The Continuing Curve 1730-2008 (New York: Smithsonian Cooper-Hewitt, National Design Museum, 2008), p. 32, fig. 10.
Cooper Hewitt, Smithsonian Design Museum

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