Translation of the Apostle’s Remains in the painting The Traditions of the Apostle Saint James in Galicia

Modesto Brocos, who had settled in Brazil, returned to Europe in 1897 to paint this work, which he claimed to have 'dreamed before becoming a painter.' As indicated by the signature, it was created in Rome in 1899 and presented the following year at the Exposition Universelle in Paris, though it did not achieve the hoped-for success. As for its arrival at the Cathedral, it remains unclear whether it was a gift to the Chapter or a temporary deposit by the artist while awaiting a buyer.

The work is structured as a triptych, with the scenes separated by architectural frames: on either side, a pointed arch, and in the center, a round arch, all divided by twisted columns with historiated capitals. Atop each capital is an angel holding a scroll above the central image.

The central scene depicts the moment just before the Inventio (the discovery of Saint James’s remains); on the right, The Apostle’s Preaching; and on the left, the episode shown in the image: the Traslatio of his remains. In the foreground, the boat arriving from Jaffa is visible. In the middle ground, we see the arrival at Padrón, where two older men and two younger ones carry the body on a stone. The latter may be identified as the disciples Theodore and Athanasius. In the background, an ox-drawn cart can be seen. In the sky, the artist’s intent to apply the Impressionist technique becomes apparent.