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Ram Pattabhishek

Raja Ravi VarmaCirca 1900

The Ganesh Shivaswamy Foundation

The Ganesh Shivaswamy Foundation
Bengaluru, India

RAM PATTABHISHEK OR THE CORONATION OF SRI RAMA: The coronation marks the end of the Yuddha Kanda of the Valmiki Ramayan. It is the culmination of the trials of Rama- the completion of the 14 year exile and the victory against Ravana who abducted Sita. Rama returned to Ayodhya as the rightful king. His coronation was a resplendent and grand event. Rama was seated on a bejeweled throne and was crowned by the high-priest Vashishta. The coronation was also attended by Vibhishna, Ravana’s brother who assisted Rama in his battle against Ravana. Sri Rama then gave Sita a pearl necklace asking her to gift it to a person who pleased her. Sita conferred that necklace upon Hanuman. Rama ruled Ayodhya as a benevolent king and prosperity reigned.

This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma depicts the scene immediately after the coronation where Rama is seen seated on the richly embellished throne canopied by a bejeweled umbrella. Sita sits beside him. They are surrounded by the brothers of Rama: Lakshmana, Bharata and Shatrugna. The person wearing a cap behind Rama is presumably Vibhishna. In the foreground are seated Hanuman sporting his pearl necklace and Vashishta.

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  • Title: Ram Pattabhishek
  • Creator: Raja Ravi Varma, Ravi Varma Press Karli Bombay
  • Date Created: Circa 1900
  • Physical Dimensions: 50 x 35 cms
  • Provenance: The Hemamalini and Ganesh Shivaswamy collection, Bengaluru
  • Subject Keywords: Raja Ravi Varma, Hinduism, Ramayan, Gigapixel
  • Type: Chromolithograph
  • Rights: The Ganesh Shivaswamy Foundation, Bengaluru
  • Creator's Biography: Raja Ravi Varma (1848-1906) was a prolific Indian artist who is recognized for his resorting to the academic realistic style of painting. His portraits of English and Indian royalty and aristocracy were well received. His paintings on Hindu religious and mythological subjects and paintings from classical and literary sources were highly sought after even during his lifetime. He painted several copies of his works and this demand led to the suggestion to have his paintings printed in the form of oleographs. The Ravi Varma Fine Art Lithographic Press was established in Bombay (now Mumbai) and commenced operations in 1894. Many of Ravi Varma's paintings were printed as chromolithographs at this Press. These chromolithographs would have a tremendous impact on religion, society and aesthetics. They went on to democratize art leading to immortalize Ravi Varma in the minds of the people of the Indian subcontinent.
The Ganesh Shivaswamy Foundation

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