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Saint Anthony Leaving His Monastery
Sano di Pietroc. 1430/1435
National Gallery of Art, Washington DC
Washington, DC, United States
Details
- Title: Saint Anthony Leaving His Monastery
- Creator: Master of the Osservanza (Sano di Pietro?)
- Date Created: c. 1430/1435
- Physical Dimensions: painted surface: 46 x 34 cm (18 1/8 x 13 3/8 in.) overall size: 47.2 x 35 cm (18 9/16 x 13 3/4 in.) framed: 61.6 x 125.4 x 7.6 cm (24 1/4 x 49 3/8 x 3 in.)
- Provenance: Probably Aloisi-Vicoli-Caccialupi family, San Severino Marche; by inheritance to Count Augusto Caccialupi Olivieri [1834-1897], Macerata, by 1870;[1] purchased by Robert Jenkins Nevin [1839-1906], Rome.[2] Dan Fellows Platt [1873-1938], Englewood, New Jersey, in 1906;[3] sold November 1943 by the trustees of the Platt estate to the Samuel H. Kress Foundation, New York;[4] gift 1952 to NGA. [1] See Filippo Raffaelli, _Catalogo di quadric divarie scuole pittoriche raccolti dal Sig. Conte Augusto Caccialupi in Macerata_, Macerata, 1870: 6, nos. V, VI. Count Augusto Caccialupi's family inherited, apart from the Caccialupi estate, also those of the Aloisi and Vicoli families of San Severino. The Caccialupis were also from this city; Count Augusto, however, lived in Macerata; see Vittorio Spreti, _Enciclopedia storico-nobiliare italiana_, Milan, 1929: 2:226-229, and Aldo Adversi, Dante Cecchi, and Libero Paci, _Storia di Macerata_, 5 vols., Macerata, 1971-1977: 2(1972):59. [2] In the preface to the _Catalogo della vendita della collezione del fu reverendo Dottor Roberto I. Nevin..._, sale cat. Galleria Sangiorgi, Rome, 22-27 April 1907: 8, Frederick Mason Perkins mentions that a group of paintings was acquired by Nevin from the Caccialupi collection. According to Giusepe Vitalini Sacconi (_Pittura marchigiana. La scuola camerinese_, Trieste, 1968: 238 n. 285), Nevin bought all of what at that remained of the collection, a considerable part of which was already sold before 1870. The provenance of NGA 1952.5.20 and NGA 1952.5.21 from the Nevin collection is first stated by Lionello Venturi, _Pitture italiane in America_, Milan, 1931: no. CXXV. They must have been sold before Nevin died, as they are not in the catalogue of his 1907 estate sale. [3] There seen already by F. Mason Perkins "Quattro tavole inedite del Sassetta," _Rassegna d'Arte Senese_ 7 (1907): 45-46. See Dan Fellows Platt Papers, Department of Rare Books and Special Collections, Princeton University, NJ; box 2, folder 23, call number C0860. [4] The bill of sale for six paintings from Ethel Bliss Platt, as trustee of the estate of Dan Fellows Platt, to the Kress Foundation is dated 30 November 1943. A letter of the same date from the Foundation to Mrs. Platt confirms that the purchase is "made with the understanding that [the paintings] are to be deeded to the National Gallery of Art, Washington, D.C." (Copies of both documents are in NGA curatorial files.) See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1796.
- Rights: CC0
- Medium: tempera on poplar panel
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