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Saint Apollonia and Saint Thomas Aquinas (Two Panels from a Larger Altarpiece)

Zentralinstitut für Kunstgeschichte

Zentralinstitut für Kunstgeschichte
Munich, Germany

This artwork depicts Saint Apollonia and Saint Thomas Aquinas, likely two panels from a larger altarpiece. The figures are rendered in a somewhat austere style, characteristic of early Renaissance painting. They stand in simple architectural settings, emphasizing their spiritual presence through form and pose. Given the style and subjects, the work appears intended for devotional use, possibly commissioned for a church or private chapel.

The historical significance of this piece lies in its reflection of the artistic trends of its time. The somewhat flattened perspective and emphasis on line are reminiscent of earlier medieval styles, while the nascent naturalism suggests a gradual shift towards the Renaissance ideals of realism. Boccati's work shows the transition from the gothic period to the Renaissance. It demonstrates an increased interest in humanism. His work influenced other artists of the Umbrian school, especially his ability to create expressive figures with clear contours and simple backgrounds.

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  • Title: Saint Apollonia and Saint Thomas Aquinas (Two Panels from a Larger Altarpiece)
Zentralinstitut für Kunstgeschichte
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