Scenography for a Chinese Science Fiction Opera

For the installation Scenography for a Chinese Science Fiction Opera, Ming Wong closes off the Nave, mimicking the three-dimensional set design of traditional stage theater with more than ten wooden backdrops. Painted to resemble the interior of a spaceship and swirls of clouds, the backdrops are bifurcated down the middle allowing visitors to walk the length of the hall, through this man-made scene, to its conclusion-a kaleidoscopic, disorienting wheel of color. Ming Wong’s installation appears to follow a narrative: visitors emerge from the spaceship, thereby entering the space of the open sky. But in actuality, this piece contains two mismatched parts: the sky is painted after the universe found in traditional Chinese opera and ancient religious murals, abstract and bright, contrasting sharply with the dark, naturalistic spaceship. The two sets of iconography represent a multifaceted cultural landscape and a nonlinear timeframe derived from Wong’s investigations of the modernization of Cantonese opera, ancient Chinese wall painting, and science-fiction films from China and abroad. Visitors are enveloped within a futuristic science-fiction movie set then given over to a mural painting of the sky, seemingly walking towards the future yet facing the past. The installation calls into question the linear, continuous, and quantitative aspects of time.