A Dominican friar of the convent of Sant’Eustorgio in Milan, Peter of Verona was an Inquisitor and preacher against the heresy of the Cathars: in 1252, together with a confrère, he was killed by a heretic in the woods between Seveso and Barlassina, struck on the head by a great cleaver. Moretto’s painting shows the scene of his martyrdom: the Saint, in the foreground, already struck on the head, is writing the word credo with his own blood on the ground, while in the middle ground his co-brother attempts to escape the assassin’s attack. In the upper part of the altarpiece, three angels hold a number of iconographic symbols that refer to the Saint: the palm and crown to indicate the victory of martyrdom, and the lily, which alludes to the virtue of chastity.
You are all set!
Your first Culture Weekly will arrive this week.