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The Pond at the Entrance of the Woods

Jean-Baptiste-Camille Corotc. 1860–75

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

This scene of a pond bordered by large, leafy trees echoes Corot's well-known views of Ville-d'Avray, while the vaporous light and atmospheric effects within a restricted palette resemble those of the artist's late style of the 1860s and 1870s. The small forms of the peasant and white goat are also typical of Corot's late imagery. This is one of many views of a large pond at Ville-d'Avray, a small commune on the western suburbs of Paris, where Corot inherited a rural property from his parents.

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  • Title: The Pond at the Entrance of the Woods
  • Creator: Jean Baptiste Camille Corot (French, 1796-1875)
  • Date Created: c. 1860–75
  • Physical Dimensions: Unframed: 46 x 61 cm (18 1/8 x 24 in.)
  • Provenance: Dowager Duchess of Newcastle, widow of the sixth duke. Arnold & Tripp, Paris. Henry Reinhardt, dealer, Chicago. Purchased from him in December 1910 by William G. Mather, Cleveland. Bequeathed to the CMA in 1951.
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1951.330
  • Medium: oil on fabric
  • Inscriptions: Signed lower left in dark brown paint: corot
  • Fun Fact: This painting's first recorded owner was the Dowager Duchess of Newcastle, née Henrietta-Adela Hope, who became a widow of the sixth duke Henry Pelham Alexander in 1879.
  • Department: Modern European Painting and Sculpture
  • Culture: France, 19th century
  • Credit Line: Bequest of William G. Mather
  • Collection: Mod Euro - Painting 1800-1960
  • Accession Number: 1951.330
The Cleveland Museum of Art

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