The second room of the Water Lilies is ditinguished by the presence of weeping willow tress creating a sort of ponctuation. Here again, there is no horizon and no perspective. We only see part of the willows.
When it opened to the public in 1927, a few months after the artist's death, the Water Lilies didn't find its public since the critics then were more interested in the avant-garde's research. After the Second World War, the Orangerie received a greater public thanks to the influence of the lyrical abstraction theorist who saw the roots of abstarct art in the Water Lilies.
You are all set!
Your first Culture Weekly will arrive this week.