In his photographic polyptich, Antonio Biasiucci
orders an interior cosmogony, which reveals a deep
sense of tragedy. A rearrangement of fragments and
heterogeneous images, the work on display reassembles
private and collective memories: ancient
and modern ruins – hands, skulls, fragments – are
suspended in a timeless dimension. The Archive of
Memory is displayed inside cases: some altered negatives
of his father photographer.