Nicholas Muellner's most recent image-text work journeys through the shifting tableaux of exile and solitude in the digital age. Seductive, disorienting, informative, and allegorical, In Most Tides an Island is at once a glimpse of contemporary post-Soviet queer life, a meditation on solitude and desire, and an inquiry into the nature of photography and poetry in a world consumed by cruelty, longing, resignation and hope.