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UNTITLED

Chan Sook Choi

REAL DMZ PROJECT

REAL DMZ PROJECT
Seoul, South Korea

Yangji-ri, a Minbuk village (a village to the north of the civilian control line), is a migrant community constructed under military control as a propaganda toward North Korea. The migrants of this village were given governmental support for housing, but their land ownership was not acknowledged. Their lives started in 100 small concrete houses built through a slipshod work, each household being granted two 29.75 square- meter houses. Now the village has become an unrealistic space like an empty stage painted by an axis of history, but more than 70 residents aged 80 and older still remain there, who have built their lives not on stage but on the land. For long they have extended and modified their 29.75 square-meter houses built on land they cannot own, creating unique house structures. These ‘add-on houses’ reflect the migrants’ narrative of displaced identities and represent the very space of their materialized selves.

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  • Title: UNTITLED
  • Creator: Chan Sook Choi, Chan Sook Choi
  • 작가 정보: Chan Sook Choi received her diploma in Visual Communications and Media Art as well as her master’s degree at University der Künst in Berlin, Germany. Choi won the grand prize at the international media art competition hosted by Bibliart and Pergamon Museums in 2008, and was selected as the artist for NaFöG project in 2009, a support program for young artists, sponsored by the City of Berlin. In 2017, she was granted as the visual artist of the year by the llse-Augustin Foundation at the City Museum in Berlin. In Korea, Choi has presented her work in private collections as a selected artist of NArT, a young artist support program sponsored by the Seoul Foundation for Arts and Culture in 2010. Since then, Choi has also been selected as Tomorrow’s Artist by Sungok Art Museum (2012), won the Young Artist Prize at Alternative Space Loop (2015), and granted the Young Artist Support Program at the Seoul Museum of Art (2017). Choi has also been conducting her narratology experimentations on psychological migration and the human memory as a medium through a multi- and interdisciplinary methodological approach, in performances at the National Theater of Korea, Galaxy Museum of Contemporary Art Sacheon, REAL DMZ PROJECT Kunsthal Aarhus, Humbolt Forum Berlin, Grimmuseum Berlin, Art Sonjae Center Seoul and Ars Electronica Linz, etc.
REAL DMZ PROJECT

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