Working in Florence along with Leonardo da Vinci, Raphael, and Michelangelo in the first years of the sixteenth century, Fra Bartolommeo looked to the most lyrical, harmonious works of these artists in developing his own intimate style. The young Baccio della Porta came under the spell of the ardent Dominican reformer Savonarola, joining his order as Fra (Friar) Bartolommeo in 1500 and forsaking his artistic career for several years. Returning to painting in 1504, he invested this work with a new spirituality.