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Waterbirds: Migratory Sound Flow

Tania Candiani2022

Biennale of Sydney

Biennale of Sydney
Sydney, Australia

Interested in language, sound and the afterlife of obsolete technologies, Tania Candiani creates devices that translate images, shapes, and words into sounds and music by repurposing looms, keyboards, typewriters, and various old mechanical devices to create wind, chord, or percussion instruments. She sees these objects as interfaces between ‘the soul of the machine’ and other types of sensibilities, including those of humans and animals, and often references ancestral knowledges and stories.

Waterbirds: Migratory Sound Flow is a hanging 'river' made with tree branches collected from a riverbank in Mexico. Its organic shape is loosely based on an aerial view of the Murray-Darling basin in Australia. Says Candiani, 'This piece has as its starting point the migrations of aquatic birds. As a great blood system, the path of these birds connects hundreds of bodies of water in the Australian territory. [The] installation consists of a network of sound, light, wind and water. The system uses handmade reproductions of traditional pre-Hispanic aerophones (clay ocarinas, shells, wooden flutes) and field recordings of water birds in Australia, to create a continuous and changing chant in the space of the Cutaway.'

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  • Title: Waterbirds: Migratory Sound Flow
  • Creator: Tania Candiani
  • Date Created: 2022
  • Location: The Cutaway at Barangaroo, Sydney, Australia
  • Provenance: Courtesy the artist. Technology development: Interspecifics. Wooden structure: Juan Rosas. Clay instruments: Gilberto Chávez/Marakame. Commissioned by the Biennale of Sydney with generous assistance from Monash University Museum of Art | MUMA, with generous support from the Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government initiative.
  • Type: Installation
  • Rights: Biennale of Sydney
  • Medium: wooden structure with branches collected on the banks of rivers in Veracruz, Mexico (Red mangrove, Mexican maple, Sabbino and Seagrape); 40 channel electro-pneumatic system, 12 audio channels with software for generative composition; hoses, gourds, speakers, 40 clay aerophones
  • Edition: 23rd Biennale of Sydney (2022): rīvus
Biennale of Sydney

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