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Wild Olive Tree Roots, Valldemosa, Majorca

John Singer Sargent1908

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

By 1900, John Singer Sargent (American, 1856 - 1925)’snotoriety as a portrait painter had earned him a ceaseless flow of commissions from prominent families in both England and the United States. But he grew tired of the demands and restrictions of these grand manner portraits, and began spending part of each year in Switzerland, Italy, Austria, and Spain. On these trips, Sargent completed a number of vibrant plein-air oil paintings._Wild Olive Tree Roots, Valldemosa, Majorca_was painted during the autumn of 1908, when the artist accompanied his sister Emily and her friend on a trip to Valldemosa, a small town in Majorca, part of the Balearic Isles off the east coast of Spain.


This expressive study reflects Sargent’s assertion that “enormous views and huge skies do not tempt me.” Avoiding the broad, panoramic views of conventional landscape compositions, the artist instead used vibrant colors and loose brushstrokes to depict a small patch of rocky ground tangled with vegetation. With its freedom of subject matter and technique, _Wild Olive Tree Roots, Valldemosa, Majorca_ reveals a different side of the artist best known for his formal society portraits.


More information on this painting (under the previous title _Valdemosa, Majorca: Thistles and Herbage on a Hillside_) can be found in the Gallery publication _American Paintings of the Nineteenth Century, Part II,_ pages 122-125, which is available as a free PDF (21MB).

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  • Title: Wild Olive Tree Roots, Valldemosa, Majorca
  • Creator: John Singer Sargent
  • Date Created: 1908
  • Physical Dimensions: overall: 55.8 x 71.1 cm (21 15/16 x 28 in.) framed: 80.7 x 96.5 x 5.4 cm (31 3/4 x 38 x 2 1/8 in.)
  • Provenance: Estate of the artist; (his estate sale, Christie, Manson & Woods, London, 24 and 27 July 1925, first day, no. 105); (M. Knoedler & Company, London and New York) on joint account with (T.H. Robinson); sold 1958 to Thomas K. Ware; by inheritance 1963 to his wife, Lenore Caldwell Woodcock, Huntington, New York;[1] (Sotheby Parke-Bernet, New York, 25 April 1980, no. 77); private collection, Brookline, Massachusetts; (Jeffrey R. Brown Fine Arts, North Amherst, Massachusetts), in 1981; Virginia Bailey Brown, North Amherst, Massachusetts;[2] gift/purchase 1991 to NGA. [1] Mrs. Ware's second husband was William A. Woodcock, and they lent the painting to the Heckscher Museum of Art in Huntington, New York, from August 1967 to March 1974 (letter of 26 August 1996 and telephone call of 19 February 1997 from William Titus, registrar, Heckscher Museum of Art [in NGA curatorial files]). [2] The painting was briefly discussed in _An American Gallery, Spring 1987_ (Richard York Gallery, New York, 1987), no. 15. This dealer handled the sale of the painting for its last private owner.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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