Redfield is considered one of the most important figures of the New Hope School of Pennsylvania Impressionism. “Critics viewed his "fine, manly art of landscape painting" as a "rejuvenating force" in the "much-needed Renaissance of American art." ... Redfield’s artistic method and personal manner—his painterly "virility" and rugged communication with nature—[are seen] as signifying his Americanness.”
From: Peterson, Brian H. "Pennsylvania Impressionism." University of Pennsylvania Press, 2002. Pages 67-68.
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