Thomas Stothard

Aug 17, 1755 - Apr 27, 1834

Thomas Stothard RA was an English painter, illustrator and engraver.
His son, Robert T. Stothard was a painter: he painted the proclamation outside York Minster of Queen Victoria's accession to the throne in June 1837

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97 items

Related works from the web

Artworks not sourced from our partners' collections

'The Merchant of Venice', Act IV, Scene 1

artuk.org
'The Merchant of Venice', Act IV, Scene 1 | Art UK

Orestes Hanging up the Shield of Agamemnon

collections.vam.ac.uk
Orestes hanging up the shield of Agamemnon | Stothard, Thomas ...

Brunetta and Phillis (Richard Steel, 'The Spectator', no.80)

artuk.org
Brunetta and Phillis | Art UK

Ferdinand, Ariel, Prospero and Miranda (from William Shakespeare's 'The Tempest')

artuk.org
Ferdinand, Ariel, Prospero and Miranda | Art UK

Fame as an Allegory

collections.vam.ac.uk
Fame as an Allegory | Stothard, Thomas RA | V&A Explore The ...

The Pilgrimage to Canterbury

artuk.org
The Pilgrimage to Canterbury | Art UK

Sancho Panza and the Duchess (from Cervantes' 'Don Quixote')

www.mediastorehouse.com.au
Sancho Panza and the Duchess, late 18th or early 19th

Tam o' Shanter

collections.vam.ac.uk
Tam O'Shanter | Stothard, Thomas RA | V&A Explore The Collections

'Love's Labour's Lost', Act IV, Scene 3

artuk.org
'Love's Labour's Lost', Act IV, Scene 3 | Art UK

Constance and Arthur (from William Shakespeare's 'King John', Act III, Scene 1)

collections.vam.ac.uk
Constance and Arthur (Shakespeare, 'King John', Act III, Scene 1 ...

Discover this artist

Related works from the web

'The Merchant of Venice', Act IV, Scene 1

Orestes Hanging up the Shield of Agamemnon

Brunetta and Phillis (Richard Steel, 'The Spectator', no.80)

Ferdinand, Ariel, Prospero and Miranda (from William Shakespeare's 'The Tempest')

Fame as an Allegory

The Pilgrimage to Canterbury

Sancho Panza and the Duchess (from Cervantes' 'Don Quixote')

Tam o' Shanter

'Love's Labour's Lost', Act IV, Scene 3

Constance and Arthur (from William Shakespeare's 'King John', Act III, Scene 1)

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