Alexandre Arrechea is a Cuban artist whose work involves concepts of power and its network of hierarchies, surveillance, control, prohibitions, and subjection. For twelve years he was a member of the art collective Los Carpinteros, until he left the group in July 2003 to continue his career as a solo artist. His public art The spectator's participation in the work adds to his contemplation. The work arises out of human actions and reactions in the face of contemporary versions of the worldview already described by Jeremy Bentham in the 18th century. The eye of power watches everything and everyone, and everyone watches everyone else and themselves.
The interdisciplinary quality of Arrechea's work reveals a profound interest in the exploration of both public and domestic spaces. This quest has led him to produce several monumental projects like “Ciudad Transportable”, “The Garden of Mistrust” and “Perpetual Free Entrance”.