Elliott Daingerfield was an American artist who lived and worked in North Carolina. He is considered one of North Carolina's most prolific artists.
Elliott, the son of a captain in the Confederate Army, was born in Harpers Ferry, West Virginia, and raised in Fayetteville, North Carolina. At 21, he moved to New York to study art and was apprenticed under Walter Satterlee in 1880. He became an instructor in Satterlee's still life class and studied at the Art Students' League.
In 1884, Daingerfield left Satterlee and met George Inness. The works of Inness, Albert Pinkham Ryder, and Kenyon Cox "inspired his visionary style", according to the art historian Stephanie J. Fox. Daingerfield was also influenced by the European Symbolists whose work he encountered during his time studying in Europe c. 1897. In the late 1890s he achieved recognition for paintings of religious subjects, an example of which is his mural in the Church of Saint Mary the Virgin in New York City. In 1902, he was elected into the National Academy of Design as an associate member; he became a full member in 1906.
Elliott, the son of a captain in the Confederate Army, was born in Harpers Ferry, West Virginia, and raised in Fayetteville, North Carolina. At 21, he moved to New York to study art and was apprenticed under Walter Satterlee in 1880. He became an instructor in Satterlee's still life class and studied at the Art Students' League.
In 1884, Daingerfield left Satterlee and met George Inness. The works of Inness, Albert Pinkham Ryder, and Kenyon Cox "inspired his visionary style", according to the art historian Stephanie J. Fox. Daingerfield was also influenced by the European Symbolists whose work he encountered during his time studying in Europe c. 1897. In the late 1890s he achieved recognition for paintings of religious subjects, an example of which is his mural in the Church of Saint Mary the Virgin in New York City. In 1902, he was elected into the National Academy of Design as an associate member; he became a full member in 1906.
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