Wind in your hair
The Italian title of the painting, “La Scapiliata”, meaning The Disheveled due to the messy locks of hair which surround the young girl's face, who remains unknown.
Mix your ingredients
White lead, umber, a touch of malachite and cinnabar can be found among the pigments used.
Leonardo's mark
Traces of his "poucing" technique were found after a microscope analysis along the chin. This technique was used by Leonardo in other portraits like Ginevra de' Benci and the Lady with an Ermine.
The no-make up look
The effect lighting emphasises the young woman's wide forehead, straight nose, and small, round chin. And a slightly ambiguous smiles plays on her lips.
A walnut wood panel
As it was costumary at the time, this paining is made on wood panel that's thinner on the rear and along the edges.
A lovely gift?
Some theories suggest this painting was gifted by a nobleman to the duchess of Mantua, Isabella d'Este, which she then hung in the private apartment of her son's wife
Strike a pose
The girl’s pose with her head facing down bears a striking similarity to the figures in the second version of “The Virgin of the Rocks” at the National Gallery in London, dating from between 1493 and 1506–8.
An instant classic
The painting was already very successful in Leonardo’s time, as the subject has been portrayed by his students and other contemporary painters. It has also inspired numerous copies down the centuries.
See the Flying Machine Up Close
Built using the measurements of birds and bats in flight
More 3D inventionsCodex Arundel, Arundel MS 263, ff.42v-43r
Leonardo da Vinci
You are all set!
Your first Culture Weekly will arrive this week.