According to the Book of Genesis in the Bible, the pious Lot and his family were advised by angels to flee the city of Sodom before God destroyed it for its sinfulness.
Gentileschi subtly highlights the impending result of Lot’s drunkenness by connecting him to his daughter not just through physical contact, but also through their parallel poses.
Artists often treated the subject of Lot and his daughters as a ribald scene, with a grotesquely drunken Lot encouraged by his lusty, seductive daughters.
However, Gentileschi—who achieved a level of success unprecedented for a woman artist at the time—restrained the overt sexuality of the story, giving her figures more dignity and a deeper psychological interaction.
However, Gentileschi—who achieved a level of success unprecedented for a woman artist at the time—restrained the overt sexuality of the story, giving her figures more dignity and a deeper psychological interaction.